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This Is Your Brain on Music was a finalist for the Los Angeles Times Book Award in 2006–2007 for best in the Science and Engineering category, and a Quill Award for best debut author of 2006–2007. It was named one of the best books of the year by The Globe and Mail, The Independent and The Guardian. [8]
Musicophilia: Tales of Music and the Brain is a 2007 book by Oliver Sacks. It explores a range of psychological and physiological ailments and their connections to music. It is divided into four parts, each with a distinctive theme: Haunted by Music examines mysterious onsets of musicality and musicophilia (and musicophobia); A Range of Musicality looks at musical oddities musical synesthesia ...
Melodic learning appears to derive its effectiveness from the special nature of music and singing's activity pattern in the human brain. A series of books published in the 2000s by noted neuroscientists document the unique relationship between music and our brains, including Musicophilia by Oliver Sacks, This Is Your Brain On Music by Daniel ...
The psychology of music, or music psychology, may be regarded as a branch of psychology, cognitive science, neuroscience, and/or musicology.It aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life.
Musical Minds is a Nova documentary based on neurologist Oliver Sacks's 2007 book Musicophilia: Tales of Music and the Brain about music and the human brain aired on June 30, 2009 on Public Broadcasting Service (PBS). The documentary features blind piano savant Derek Paravicini, Matt Giordano and Tony Cicoria. [1]
The Armenian Canadian singer of "Baby Beluga" and "Bananaphone," who has been making music for kids since the 1970s, is an antidote to today's frenetic earworms. ... so wild” and “so free ...
A collection of papers that he co-edited served to heighten the visibility of cognitive musicology and to strengthen its association with AI and music. [11] The foreword of this book reprints a free-wheeling interview with Marvin Minsky, one of the founding fathers of AI, in which he discusses some of his early writings on music and the mind. [12]
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