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[4] [5] The book challenges Steven Pinker's "auditory cheesecake" assertion that music was an incidental by-product of evolution, arguing instead that music served as an indicator of cognitive, emotional and physical health, and was evolutionarily advantageous as a force that led to social bonding and increased fitness, citing the arguments of ...
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
The World in Six Songs: How the Musical Brain Created Human Nature is a popular science book written by the McGill University neuroscientist Daniel J. Levitin, and first published by Dutton Penguin in the U.S. and Canada in 2008, and updated and released in paperback by Plume in 2009, and translated into six languages.
Musicophilia: Tales of Music and the Brain is a 2007 book by Oliver Sacks. It explores a range of psychological and physiological ailments and their connections to music. It is divided into four parts, each with a distinctive theme: Haunted by Music examines mysterious onsets of musicality and musicophilia (and musicophobia); A Range of Musicality looks at musical oddities musical synesthesia ...
Music has been shown to consistently elicit emotional responses in its listeners, and this relationship between human affect and music has been studied in depth. [4] This includes isolating which specific features of a musical work or performance convey or elicit certain reactions, the nature of the reactions themselves, and how characteristics ...
Children's books about emotions (1 C, 1 P) Pages in category "Books about emotions" The following 17 pages are in this category, out of 17 total.
Active mood is another factor that affects music preference. Generally whether people are in a good or bad mood when they hear music affects how they feel about the type of music and also their emotional response. [20] On that line of thinking, aggression has been shown to improve creativity and emotional intensity derived from music.
His most influential work, Emotion and Meaning in Music (1956), combined Gestalt Theory and theories by the Pragmatists Charles Sanders Peirce and John Dewey to try to explain the existence of emotion in music. Peirce had suggested that any regular response to an event developed alongside the understanding of that event's consequences, its ...