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And if history has taught us anything, it is that evolution always wins." She points out that the idea that evolution wins is progressionist, while (she argues) the idea that evolution gives evil an advantage over the moral and good, driving the creation of formidable monsters, is a popular science fiction misconception. [6]
Humanoids may also include human-animal hybrids (where each cell has partly human and partly animal genetic contents) and human-animal chimeras (where some cells are human and some cells are animal in origin). [2] Science fiction media frequently present sentient extraterrestrial lifeforms as humanoid as a byproduct of convergent evolution.
In science fiction, Earthling (also Terran, Earther, and Gaian) is frequently used, as it were naming humanity by its planet of origin. Incidentally, this situation parallels the naming motive of ancient terms for humanity, including human ( homo , humanus ) itself, derived from a word for ' earth ' to contrast earth-bound humans with celestial ...
The homunculus is commonly used today in scientific disciplines such as psychology as a teaching or memory tool to describe the distorted scale model of a human drawn or sculpted to reflect the relative space human body parts occupy on the somatosensory cortex (the sensory homunculus) and the motor cortex (the motor homunculus).
The timeline of human evolution outlines the major events in the evolutionary lineage of the modern human species, Homo sapiens, throughout the history of life, beginning some 4 billion years ago down to recent evolution within H. sapiens during and since the Last Glacial Period.
Fossils recovered from an old mine in Morocco have rocked one of the most enduring foundations of the human origin story.
Evolution is a collection of short stories that work together to form an episodic science fiction novel by author Stephen Baxter.It follows 565 million years of human evolution, from shrewlike mammals 65 million years in the past to the ultimate fate of humanity and its descendants, both biological and non-biological, 500 million years in the future.
The geneticist Dan Koboldt observes that while science and technology play major roles in fiction, from fantasy and science fiction to thrillers, the representation of science in both literature and film is often unrealistic. [28] In Koboldt's view, genetics in fiction is frequently oversimplified, and some myths are common and need to be debunked.