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  2. Wabi-sabi - Wikipedia

    en.wikipedia.org/wiki/Wabi-sabi

    Wabi-sabi is a composite of two interrelated aesthetic concepts, wabi and sabi . According to the Stanford Encyclopedia of Philosophy , wabi may be translated as "subdued, austere beauty," while sabi means "rustic patina ."

  3. Kintsugi - Wikipedia

    en.wikipedia.org/wiki/Kintsugi

    The key materials of kintsugi are: ki urushi (pure urushiol-based lacquer), bengara urushi (iron red urushi), mugi urushi (a mixture of 50% ki urushi and 50% wheat flour), sabi urushi (a mixture of ki urushi with two kinds of clay), and a storage compartment referred to as a furo ("bath" in Japanese) where the mended pottery can rest at 90% ...

  4. Karatsu ware - Wikipedia

    en.wikipedia.org/wiki/Karatsu_ware

    The style is considered a good example of the wabi-sabi aesthetic, [1] and Karatsu ware bowls, plates, and other implements are often used in tea ceremonies. [6] [7] Pottery in general is often called "Karatsu ware" in Western Japan due to how much pottery was produced in the Karatsu area. [2]

  5. List of Japanese ceramics sites - Wikipedia

    en.wikipedia.org/wiki/List_of_Japanese_ceramics...

    The list of Japanese ceramics sites (日本の陶磁器産地一覧, Nihon no tōjiki sanchi ichiran) consists of historical and existing pottery kilns in Japan and the Japanese pottery and porcelain ware they primarily produced. The list contains kilns of the post-Heian period.

  6. Shibui - Wikipedia

    en.wikipedia.org/wiki/Shibui

    Like other Japanese aesthetics terms, such as iki and wabi-sabi, shibui can apply to a wide variety of subjects, not just art or fashion. [2] Shibusa is an enriched, subdued appearance or experience of intrinsically fine quality with economy of form, line, and effort, producing a timeless tranquility. Shibusa includes the following essential ...

  7. Japanese pottery and porcelain - Wikipedia

    en.wikipedia.org/wiki/Japanese_pottery_and_porcelain

    Japanese pottery strongly influenced British studio potter Bernard Leach (1887–1979), who is regarded as the "Father of British studio pottery". [31] He lived in Japan from 1909 to 1920 during the Taishō period and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad. [32]