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Other spellings of tsubo-niwa translate to "container garden", and a tsubo-niwa may differ in size from the tsubo unit of measurement. [1] A number of different terms exist to describe the function of townhouse gardens. Courtyard gardens of all sizes are referred to as naka-niwa, "inner gardens"; [3] gardens referred to as tōri-niwa (通り庭 ...
Since the shinden-zukuri-style house flourished during the Heian period, houses tended to be furnished and adorned with characteristic art of the era. In front of the moya across the courtyard is a garden with a pond. Water runs from a stream (yarimizu 遣水) into a large pond to the south of the
The typical Kyoto machiya is a long wooden home with narrow street frontage, stretching deep into the city block and often containing one or more small courtyard gardens, known as tsuboniwa. Machiya incorporate earthen walls and baked tile roofs, and are typically one, one and a half or two stories high, occasionally stretching to three stories ...
MoMA initiated their series of "House in the Garden" exhibitions in the courtyard of the Museum in 1949. Architectural director Philip Johnson and curator Arthur Drexler recognized the correspondence between modernism in the Western house and traditional Japanese architecture and proposed to build a Japanese house as the third exhibit of the series.
Japanese gardens are designed to be seen from the outside, as in the Japanese rock garden or zen garden; or from a path winding through the garden. Use of rocks: in a Chinese garden, particularly in the Ming dynasty , scholar's rocks were selected for their extraordinary shapes or resemblance to animals or mountains, and used for dramatic effect.
Ando's interpretation of this was demonstrated by his idea of reacquainting the Japanese house with nature, a relationship he thought had been lost with Modernist architecture. His first projects were for small urban houses with enclosed courtyards (such as the Azuma House in Ōsaka in 1976).
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Sadler argues that the roji, with its small size, harmonious proportions, and 'simple suggestiveness' served as a model for domestic Japanese courtyard gardens. [16] Tobi ishi, originally placed to protect the garden's moss, eventually took on an aesthetic nature. The stones were placed to slow down the visitors on their way to the tea house ...