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Gellert was born at Hainichen in Saxony, at the foot of the Erzgebirge.After attending the school of St. Afra in Meissen, he entered Leipzig University in 1734 as a student of theology, but in 1738 Gellert broke off his studies as his family could no longer afford to support him and became a private tutor for a few years. [2]
The following other wikis use this file: Usage on ar.wikipedia.org كريستيان فورشتيغوت غيلرت; Usage on bs.wikipedia.org Christian Fürchtegott Gellert
The history of modern painting by Richard Muther (London : J. M. Dent, 1907). Illustrated: Volume 1 Volume 2 Volume 3 Volume 4. A history of water-colour painting in England by G. R. Redgrave (London: Society for Promoting Christian Knowledge, 1905). Illustrated. Six centuries of painting by Randall Davies (New York : Dodge Pub. Co., 1914).
Christian Fürchtegott Gellert (1715–1769), German poet; Dina Gellert (born 1961), Danish children's book illustrator; Hugo Gellert (1892–1985), Hungarian-American illustrator and muralist; Imre Gellért (1888–1981), Hungarian gymnast; Jay Gellert (born 1956), American CEO; Lawrence Gellert (1898–1979), American music collector
The following outline is provided as an overview of and topical guide to the history of painting: . History of painting – painting is the production of paintings, that is, the practice of applying paint, pigment, color or other medium to a surface (support base, such as paper, canvas, or a wall) with a brush, although other implements, such as knives, sponges, and airbrushes, can be used.
Though the theme was common enough in art, it does not appear in fable collections until Christian Fürchtegott Gellert included it in his verse collection Fabeln und Erzählungen (1746–1748). In this a blind man in the street asks a cripple for help and suggests how they can aid each other.
" Die Himmel rühmen des Ewigen Ehre" (The heavens praise the glory of the Eternal), Op. 48/4, is a composition for voice and piano by Ludwig van Beethoven, setting the beginning of Christian Fürchtegott Gellert's poem "Die Ehre Gottes aus der Natur" (The glory of God from nature), a paraphrase of Psalm 19.
The works were seen to provide a rejection to humanism, a refusal to play the game of art as utopia, a negation of art as escapism, and a palpable cynicism about humanity. [23] Authors associated with New Objectivity literature included Alfred Döblin , Hans Fallada , Irmgard Keun , Erich Kästner , and, in Afrikaans literature , Abraham Jonker ...