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  2. Piano Concerto No. 3 (Liszt) - Wikipedia

    en.wikipedia.org/wiki/Piano_Concerto_No._3_(Liszt)

    Franz Liszt's Piano Concerto No. 3 in E-flat major, Op. posth. , was possibly composed in 1839. It is believed that this piece was composed before the first two concertos, but the dating is inconclusive as there are claims it was not finished until 1847. Like his second piano concerto, it is a one-movement piece.

  3. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    0 3 6 e: Diminished ... 0 3 7: Minor Thirteenth flat ninth chord [2] ... Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord;

  4. Kasa-obake - Wikipedia

    en.wikipedia.org/wiki/Kasa-obake

    In the Hyakki Yagyo Emaki from the Muromachi period, yōkai that appeared as umbrellas could be seen, but in this emaki, it was a humanoid yōkai that merely had an umbrella on its head and thus had a different appearance than that resembling a kasa-obake. [7] The kasa-obake that took on an appearance with one eye and one foot was seen from the ...

  5. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament

  6. E (musical note) - Wikipedia

    en.wikipedia.org/wiki/E_(musical_note)

    F ♭ is a common enharmonic equivalent of E, but is not regarded as the same note. F ♭ is commonly found after E ♭ in the same measure in pieces where E ♭ is in the key signature, in order to represent a diatonic, rather than a chromatic semitone; writing an E ♭ with a following E ♮ is regarded as a chromatic alteration of one scale ...

  7. Piano Concerto No. 3 (Bartók) - Wikipedia

    en.wikipedia.org/wiki/Piano_Concerto_No._3_(Bartók)

    The first chord of the first movement, which consists of four pitches, E, F ♯, A, and B, is relatively tonal, especially when compared to the first chord of Piano Concerto No. 1. The chord develops further with the addition of C ♯ in the second bar, resulting in the pentatonic, which is followed with G ♯, leaving a major scale short of D ...