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Vito is a brand name for Leblanc USA, now part of Conn-Selmer USA. The Vito name was used for student through professional (Yanagisawa baritone saxophone) instruments. Leblanc USA was formed in 1946 by Vito Pascucci, and the French woodwind manufacturer, G. Leblanc Cie of France. To meet high demand, Leblanc USA started to manufacture clarinets ...
Leblanc added the KHS company of Taiwan as a source for Vito saxophones in 1981. The KHS versions were sold as models 7133, 7136, 7140, and 7190. The Vito line of woodwinds was discontinued in 2004, although the equivalent models of saxophones continued to be made by Yamaha and KHS (Jupiter). The Vito line of brasswinds was discontinued in 2007.
Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G
Conn-Selmer, Inc. is an American manufacturer of musical instruments for concert bands, marching bands and orchestras.It is a wholly owned subsidiary of Steinway Musical Instruments and was formed in 2003 by combining the Steinway properties, The Selmer Company and United Musical Instruments.
Worst seasons 2000-2002. Record: 5-11, 5-11, 5-11 NFC East finish: 4th, 5th, 4th Playoffs: No We’ve lumped these three seasons together because, well, they were shockingly similar with how ...
Vito Pascucci (October 22, 1922 – August 18, 2003) was an American businessman, the CEO and co-founder (with Leon Leblanc) of G. Leblanc Corp, an American musical instrument firm based in Kenosha, Wisconsin. The firm started out as the American branch of the French G. Leblanc company.
The clarinet family is a woodwind instrument family of various sizes and types of clarinets, including the common soprano clarinet in B♭ and A, bass clarinet, and sopranino E♭ clarinet. Clarinets that aren't the standard B♭ or A clarinets are sometimes known as harmony clarinets.
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]