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Las Meninas, painted in 1656, shows Diego Velázquez working at the easel to the left.. Self-portraiture has a long history. In Reynolds & Peter's analysis, the handprints that prehistoric humanity left in cave paintings can be considered precursors of the self-portrait, as they are a direct document of the author's presence in the creative act and his perception of the existence of a "self".
This category is about Self-portraiture, or Autoportraiture: field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits
A painting by Parmigianino in 1524 Self-portrait in a mirror, demonstrates the phenomenon. Mirrors permit surprising compositions like the Triple self-portrait by Johannes Gumpp (1646), or more recently that of Salvador Dalí shown from the back painting his wife, Gala (1972–73). This use of the mirror often results in right-handed painters ...
Self-Portrait Painting Marie Antoinette is an oil on canvas painting by Élisabeth Vigée Le Brun, from 1790. It is held in the collection of the Uffizi , in Florence . Le Brun painted the work in Rome after fleeing France to escape the French Revolution in 1789.
Self-Portrait in the Costume of the Abbot of the Accademia della Val di Blenio; Self-Portrait in Tuxedo; Self-portrait of Shevchenko (winter 1840/1841)
A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
Self-portrait at the Easel (1603-1604) by Annibale Carracci. Self-Portrait on an Easel is a 1603-1604 oil on panel painting by Annibale Carracci, now displayed in Room 231 of the New Hermitage Building of the Hermitage Museum in Saint Petersburg (inv. GE-148). [1]
In this self-portrait, Van Gogh is wearing a blue cap with black fur and a green overcoat with a bandage covering his ear and extending under his chin. Behind him is an open window, a canvas on an easel, with a few indistinguishable marks, as well as a Japanese woodblock print, Geishas in a Landscape made by SatÅ Torakiyo in the 1870s.