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The music culture in Puerto Rico during the 16th, 17th, and 18th centuries is poorly documented. Certainly, it included Spanish troubadour, church music, military band music, and diverse genres of dance music cultivated by the jíbaros and enslaved Africans and their descendants.
This article lists songs about Puerto Rico, set there, or named after a location or feature of the island.. Because Wikipedia is in written rather than audio format, the lyrics and music are usually the most relevant element of each song; so, when adding or editing a song, please list its lyricist(s) and composer(s) if known.
Aguinaldo It is a genre of Puerto Rican and Venezuelan traditional and cultural music, popular in several Latin American countries., based on Spanish Christmas carols or villancicos which is traditionally sung on Christmas itself or during the holiday season.
Los Pleneros 21 was founded by percussionist and educator Juan Gutiérrez, a native of Santurce, Puerto Rico. [2] When Gutiérrez (b 1951) arrived in New York in 1976 to study percussion at the Manhattan School of Music, [3] salsa was the dominant form of popular Latin Music. [4]
Plena is a narrative song from the coastal regions of Puerto Rico, especially around Ponce, Puerto Rico. [14] Its origins have been various claimed as far back as 1875 and as late as 1920. As rural farmers moved to San Juan, Puerto Rico and other cities, they brought plena with them and eventually added horns and improvised call and response ...
Odilio González (born 5 March 1937), known by his stage name El Jibarito de Lares, is a Puerto Rican singer, guitarist and music composer who has been singing and composing for more than 65 years. He has mostly played traditional Puerto Rican folkloric music, songs dedicated to Puerto Rico's jíbaro. [1] [2]
The song is a traditional plena rhythm, a popular Puerto Rican genre played with three hand held drums or tambourines, among other instruments.In "Pégate", the traditional plena drums are played by the percussionists of the band Viento de Agua, led by Tito Matos.
Guillermo Portabales (Cienfuegos, 6 April 1911 – San Juan, Puerto Rico 25 October 1970) and Carlos Puebla were mostly in the guajiro (peasant) tradition, whilst El Guayabero – Faustino Oramas – (Holguín, 4 June 1911 – Holguín, 28 March 2007) was black and funky in style and content. He was the last of the old trova, the oldest working ...