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The Penitent Magdalene is a painting of saint Mary Magdalene by Titian dating to around 1531, signed 'TITIANUS' on the ointment jar to the left. It is now in the Sala di Apollo of the Palazzo Pitti in Florence, Italy.
Penitent Magdalene (Titian, 1531) Penitent Magdalene (Titian, 1550) Penitent Magdalene (Titian, 1565) Penitent Magdalene (Artemisia Gentileschi) Penitent Magdalene (Caravaggio) Penitent Magdalene (Ribera) Crucifixion (Perugino and Signorelli) Galitzin Triptych; Madonna and Child with Two Saints (Perugino) Mary Magdalene (Perugino) Pazzi Crucifixion
Penitent Magdalene (also called Repentant Madalene) is a 16th-century oil on canvas painting by Italian Baroque painter Caravaggio. The painting portrays a repentant Mary Magdalene bowed in penitent sorrow as she leaves behind her dissolute life, its trappings abandoned beside her. [ 1 ]
The complete paintings of Titian, 161 ; The Penitent Magdalene, Web Gallery of Art (English) Bildindex der Kunst und Architektur PID: 0002041082 ; Bpk-ID: 00065965 ; Artstor artwork ID: 14504555 ; Smartify artwork ID: titian-penitent-magdalene ; Utpictura18 artwork ID: 20458 ; Zeri image ID: 113866 ; Uffizi artwork ID: saint-mary-magdalene
Magdalene with Two Flames or The Penitent Magdalene is an undated oil-on-canvas painting created c.1640 by the French painter Georges de La Tour. In 1978 Mr. and Mrs. Charles Wrightsman gave it to the Metropolitan Museum of Art in New York, where it still hangs.
The Penitent Magdalene (titled Repentant Mary Magdalene in the Hermitage) is an oil on canvas painting by Titian, from the c. 1560s. It depicts Saint Mary Magdalene . it is held in the Hermitage Museum , in Saint Petersburg .
Though the "Penitent Magdalene" was the usual depiction for the many single figures of Mary Magdalene in art, Donatello's gaunt, emaciated figure differs greatly from most depictions, which show a beautiful young woman in nearly perfect health. The Magdalene Penitent is famous for the detailed and very realistic carvings on the statue.
The painting's history is confused by the existence of several copies and variants - it and Danaë are the commonest subjects in Titian's oeuvre. [2] Vasari's Lives of the Artists mentions several copies of the Penitent Magdalene, [2] the oldest of them (the only pre-Tridentine of the four) was then in the 'guardaroba' of the Duke of Urbino and later came to Florence as part of Vittoria Della ...