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Mimesis criticism is a method of interpreting texts in relation to their literary or cultural models. Mimesis, or imitation ( imitatio ), was a widely used rhetorical tool in antiquity up until the 18th century's romantic emphasis on originality.
Mimesis (/ m ɪ ˈ m iː s ɪ s, m aɪ-/; [1] Ancient Greek: μίμησις, mīmēsis) is a term used in literary criticism and philosophy that carries a wide range of meanings, including imitatio, imitation, nonsensuous [clarification needed] similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self.
Mimesis gives an account of the way in which everyday life in its seriousness has been represented by many Western writers, from ancient Greek and Roman writers such as Petronius and Tacitus, early Christian writers such as Augustine, Medieval writers such as Chretien de Troyes, Dante, and Boccaccio, Renaissance writers such as Montaigne, Rabelais, Shakespeare and Cervantes, seventeenth ...
Erich Auerbach (9 November 1892 – 13 October 1957) was a German philologist and comparative scholar and critic of literature.His best-known work is Mimesis: The Representation of Reality in Western Literature, a history of representation in Western literature from ancient to modern times frequently cited as a classic in the study of realism in literature. [1]
The mimetic theory of desire, an explanation of human behavior and culture, originated with the French historian, literary critic, and philosopher of social science René Girard (1923–2015). The name of the theory derives from the philosophical concept mimesis , which carries a wide range of meanings.
A genre of arts criticism, literary criticism or literary studies is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical analysis of literature's goals and methods. Although the two activities are closely related, literary critics are not always ...
Mimesis or "imitation", "representation," or "expression," given that, e.g., music is a form of mimesis, and often there is no music in the real world to be "imitated" or "represented." Mythos or "plot," defined in Chapter 6 explicitly as the "structure of actions." Nemesis or, "retribution" Opsis or "spectacle" Peripeteia or "reversal"
René Girard: Violence and Mimesis. Cambridge: Polity. ISBN 0-7456-2948-2. This is an introduction to René Girard 's work. Guggenberger, Wilhelm and Palaver, Wolfgang (Eds., 2013). René Girard’s Mimetic Theory and its Contribution to the Study of Religion and Violence, Special issue of the Journal of Religion and Violence, (Volume 1, Issue ...