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The Palm Leaf by William-Adolphe Bouguereau (1825–1905), portrait of an unidentified woman in ancient dress. The palm branch, or palm frond, is a symbol of victory, triumph, peace, and eternal life originating in the ancient Near East and Mediterranean world.
Nike alone is often depicted in Greek art winged and carrying a symbol of victory, such as a laurel wreath or a palm frond. Statues of her attempt to evoke a sense of flight. [ 33 ] In the Archaic period of ancient Greek sculpture Nike often appears in a "kneeling run" pose or "knielaufen" pose with her head turned to the side to look at the ...
Victoria (or Nike) on a fresco from Pompeii, Neronian era. In ancient Roman religion Victoria was the deified personification of victory. She first appeared during the first Punic War, seemingly as a Romanised re-naming of Nike, the goddess of victory associated with Rome's Greek allies in the Greek mainland and in Magna Graecia.
In Rome they were symbols of martial victory, crowning a successful commander during his triumph. Whereas ancient laurel wreaths are most often depicted as a horseshoe shape, modern versions are usually complete rings. [citation needed] In common modern idiomatic usage, a laurel wreath or "crown" refers to a victory. The expression "resting on ...
Four auspicious symbols. Mandi. Auspicious symbols. Mandi. The dhvaja (Sanskrit; Tibetan: རྒྱལ་མཚན་, THL: gyeltsen) "banner, flag" was a military standard of ancient Indian warfare. The symbol represents the Buddha's victory over the four māras, or hindrances in the path of enlightenment. These hindrances are pride, desire ...
The Nike of Paionios is an ancient statue of the Greek goddess of victory, Nike, made by sculptor Paionios (Paeonius of Mende) between 425 BC and 420 BC. Made of Parian marble, the medium gives the statue a translucent and pure white look to it. Found in pieces, the statue was restored from many fragments but is lacking face, neck, forearms ...
The Winged Victory of Samothrace, or the Niké of Samothrace, [2] is a votive monument originally discovered on the island of Samothrace in the northeastern Aegean Sea. It is a masterpiece of Greek sculpture from the Hellenistic era , dating from the beginning of the 2nd century BC (190 BC).
A boar in a frescoe at Bamiyan, symbol of the Mazdean god of victory Verethragna. 6th-7th century CE. [21] The interpretation of the divinity was once one of the more widely debated fields in Zoroastrian scholarship since the theories of origin reflected a radical revolution in ethical, moral and religious values. [22]