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Deep house is a subgenre of house music [1] [3] [4] that originated in the 1980s, initially fusing elements of Chicago house with the lush chords of 1980s jazz-funk and touches of soul music. Its origins are attributed to the early recordings of Larry Heard (aka Mr. Fingers), including his influential track " Can You Feel It ".
“Follow Me”, a deep house track produced and mixed by Kyle Smith, and executive produced by DJ Pierre and George Morel, was released in 1992 on the Strictly Rhythm record label. The record became an underground club hit and is considered one of the classics of the house genre for its uplifting spirit and "its unapologetically optimistic ...
Deep Heat 3 – The Third Degree, a continuation of Telstar Records' Deep Heat compilation series was released 7 August 1989. Containing 28 full length dance tracks, it continued the series' success, reaching #2 on the Compilations Chart and being awarded a UK Gold Disc for album sales in excess of 100,000 copies.
"House of Love" (also known as "House of Love (In My House)") is a 1993 deep house song recorded, written, and produced by Erick Morillo and Kenny Lewis under the collaboration project known as Smooth Touch, one of several projects that Morillo was involved with during his tenure at Strictly Rhythm Records.
East West Connection – The More I Get, The More I Want (Teddy's House Groove) Freil – Mississippi Rollcall; CD 2; Sun Trust – How Intensitive; Bone City – Feeling Kinda Blue; Kerry Chandler – I Know; François K. feat. The Alchemist – On the Way; Deep & Wide – No Other Lover (Café del Mar Mix) Kamasutra feat.
[16] In his weekly RM dance column, James Hamilton noted the "mesmeric sombre unhurried chugging jiggly progressive long 121.8-122.2bpm Deep Dish Remix". [17] Calvin Bush from Muzik stated that "hotter than tickets for Tyson 's comeback (and about 6.23 times longer thanks to Deep Dish's extremely awesome mix), "Hideaway" has the rare ability to ...
The original version of "Show Me Love", released in 1990 on British label Champion Records, is officially credited as being written by Allen George and Fred McFarlane and performed by Robin S. [9] Initially reluctant to sign on due to its fast tempo given her prior background in solely R&B and pop music, Robin struggled through the recording process as heard in the hoarseness and frustration ...
The label and song's producers preferred one remix, produced by a young German DJ, Felix Jaehn, that eschewed much of the song's original instrumentation for a tropical-flavored deep house rendition, prominently featuring a trumpet, a conga beat, and piano.