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A recessional hymn or closing hymn is a hymn placed at the end of a church service to close it. It is used commonly in the Catholic Church, the Seventh-day Adventist Church, and Anglican Church, an equivalent to the concluding voluntary, which is called a Recessional Voluntary, for example a Wedding Recessional.
"Recessional" contains five stanzas of six lines each. As a recessional is a hymn or piece of music that is sung or played at the end of a religious service, in some respects the title dictates the form of the poem, which is that of a traditional English hymn. Initially, Kipling had not intended to write a poem for the Jubilee. It was written ...
This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
The hymn has been translated into many languages, including English. It is most commonly performed as a concert piece in Greece, and as a recessional hymn after liturgical services in parishes throughout the United States, particularly services dedicated to the Theotokos, such as the Akathist during Great Lent.
The singing of hymns is a common feature of Anglican worship and usually includes congregational singing as well as a choir. An Introit hymn is sung at the start of a service, a Gradual hymn precedes the Gospel, an Offertory hymn is sung during the Offertory and a recessional hymn at the close of a service.
Hymnology (from Greek ὕμνος hymnos, "song of praise" and -λογία -logia, "study of") is the scholarly study of religious song, or the hymn, in its many aspects, with particular focus on choral and congregational song. It may be more or less clearly distinguished from hymnody, the creation and practice of
Recessional may refer to: Recessional hymn; Recessional, a novel by James A. Michener, published in 1994 "Recessional" (poem), a poem by Rudyard Kipling
Contemporary music aims to enable the entire congregation to take part in the song, in accord with the call in Sacrosanctum Concilium for full, conscious, active participation of the congregation during the Eucharistic celebration. What its advocates call a direct and accessible style of music gives participation of the gathered community ...