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Franz Liszt composed his Piano Concerto No. 1 in E ♭ major, S.124 over a 26-year period; the main themes date from 1830, while the final version is dated 1849. The concerto consists of four movements and lasts approximately 20 minutes. It premiered in Weimar on February 17, 1855, with Liszt at the piano and Hector Berlioz conducting.
Piano Concerto No. 1 (Liszt) Piano Concerto No. 2 (Liszt) Piano Concerto No. 3 (Liszt) This page was last edited on 3 July 2024, at 10:18 (UTC). Text is available ...
Piano Concerto No.1: pf orch E ♭ major 1835–56 Orchestral, piano arr. for 2pf as S.650 125 H 6 Piano Concerto No.2: pf orch A major 1849–61 Orchestral, piano based on S.524a; arr. for 2pf as S.651 125a Q 6 Piano Concerto [No.3] pf orch E ♭ major 1835–39 Orchestral, piano unfinished; performing version realized by Jay Rosenblatt 126i H ...
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today. [1]
This seems to have been d'Albert's lost concerto in A major, not the work published three years later as his Piano Concerto No. 1 in B minor, Op. 2. [13] In the same year d'Albert won the Mendelssohn Scholarship , enabling him to study in Vienna, where he met Johannes Brahms , Franz Liszt and other important musicians who influenced his style ...
Sergei Rachmaninoff wrote a cadenza for Liszt's Hungarian Rhapsody No. 2 and was recorded playing the piece with this cadenza in 1919. [ 15 ] Alfred Schnittke wrote two cadenzas for Beethoven's Violin Concerto , of which the first includes musical quotations from violin concertos of Berg , Brahms , Bartók (Concertos No. 1 and No. 2 ...
The Piano Concerto No. 1 in B-flat minor, Op. 32, is a work for piano and orchestra completed by Xaver Scharwenka in 1876. The first performance was given on 14 April 1875 by the composer at the piano, under Julius Stern's direction. The work is dedicated to Franz Liszt.
According to Liszt's correspondence with Lina Ramann, La Lugubre Gondola was originally to have been entitled Troisième élégie and was to have been dedicated to her. There is an undated manuscript, clearly from the end of Liszt's life, of a starker version of the piece in 6 8 for piano solo - virtually a new composition. It remained ...