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Venus Caelestis (Celestial or Heavenly Venus), used from the 2nd century AD for Venus as an aspect of a syncretised supreme goddess. Venus Caelestis is the earliest known Roman recipient of a taurobolium (a form of bull sacrifice), performed at her shrine in Pozzuoli on 5 October 134.
Here the eight pointed star is the Star of Ishtar, the Babylonian Venus goddess, alongside the solar disk of her brother Shamash and the crescent moon of their father Sin on a boundary stone of Meli-Shipak II, dating to the twelfth century BC. Several hymns praise Inanna in her role as the goddess of the planet Venus.
Upper Palaeolithic female figurines are collectively described as "Venus figurines" in reference to the Roman goddess of beauty Venus. The name was first used in the mid-nineteenth century by the Marquis de Vibraye, who discovered an ivory figurine and named it La Vénus impudique or Venus Impudica ("immodest Venus"). [10]
The Romans considered the planet Lucifer particularly sacred to the goddess Venus, whose name eventually became the scientific name for the planet. The second century Roman mythographer Pseudo-Hyginus said of the planet: [48] "The fourth star is that of Venus, Luciferus by name. Some say it is Juno's. In many tales it is recorded that it is ...
3D reconstruction of the temple as seen from the Colosseum. It was set on a platform measuring 145 metres (476 ft) x 100 metres (330 ft). The peripteral temple itself measured 110 metres (360 ft) x 53 metres (174 ft) and 31 metres (102 ft) high (counting the statues) and consisted of two main chambers (), each housing a cult statue of a god—Venus, the goddess of love, and Roma, the goddess ...
The Rokeby Venus depicts the Roman goddess of love, beauty and fertility reclining languidly on her bed, her back to the viewer—in Antiquity, portrayal of Venus from a back view was a common visual and literary erotic motif [8] —and her knees tucked.
The Townley Venus on display in the British Museum. The Townley Venus is a 2.14 m (7 ft) high 1st or 2nd century AD Roman sculpture in Proconnesian marble of the goddess Venus, from the collection of Charles Towneley. It was bought by him from the dealer Gavin Hamilton, who excavated it at Ostia in 1775. He shipped it to England in two pieces ...
Mazarin Venus, a statuary type popular in the 2nd century AD that evokes the ritual of bathing. Venus Verticordia ("Changer of Hearts" [1] or "Heart-Turner" [2]) was an aspect of the Roman goddess Venus conceived as having the power to convert either virgins or sexually active women from dissolute desire (libido) [3] to sexual virtue (). [4]