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Venus, Cupid, Folly and Time (also called An Allegory of Venus and Cupid and A Triumph of Venus) is an allegorical painting of about 1545 by the Florentine painter Agnolo Bronzino. It is now in the National Gallery , London. [ 1 ]
Venus and Cupid (Sleeping Venus) is a circa 1626 painting by Artemisia Gentileschi in the Virginia Museum of Fine Arts. [1] Venus and Cupid is a depiction of a sleeping Venus, who reclines on a blue bed covering and rich crimson and gold tasseled pillow. She wears nothing except a thin wisp of transparent linen around her thigh.
Venus, Cupid, Folly and Time (also called An Allegory of Venus and Cupid and A Triumph of Venus) (c. 1545). Oil on wood, 146.1 × 116.2 cm (57.5 in × 45.7 in ...
Allegory with Venus, Mars, Cupid and Time (ca. 1625): in the unique interpretation of Guercino, winged Time points an accusing finger at baby Cupid, held in a net that evokes the snare in which Venus and Mars were caught by her betrayed husband Vulcan. [80]
Venus and Cupid with a Honeycomb is an oil painting by the German artist Lucas Cranach the Elder, one of the masters of the German Renaissance.It was probably executed in 1531 after Cranach met Georg Sabinus, a German poet, diplomat and academic at the University of Wittenberg. [1]
Venus and Cupid is an oil-on-canvas painting by the Italian Renaissance artist Lorenzo Lotto in the collection of the Metropolitan Museum of Art. It has been dated to several periods, including the late 1530s and the early 1540s, but was probably created in the 1520s. [1] It is a wedding gift for a couple of Bergamo or Venice.
Venus with an Lutenist, c. 1565–70, Metropolitan Museum of Art, New York. The two main versions of Venus and Cupid with a Lute-player are similar in all but details. The one in the Fitzwilliam Museum in Cambridge is the earlier, dated by the museum to 1555–65, measuring 150.5 x 196.8 cm, and attributed just to Titian
Bronzino – Venus, Cupid, Folly and Time (c. 1545) The English School's – "Allegory of Queen Elizabeth" (c. 1610) Artemisia Gentileschi – Allegory of Inclination (c. 1620), An Allegory of Peace and the Arts under the English Crown (1638); Self-Portrait as the Allegory of Painting (c. 1638–39)