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"White Rabbit" is a song written by Grace Slick and recorded by the American rock band Jefferson Airplane for their 1967 album Surrealistic Pillow. It draws on imagery from Lewis Carroll 's 1865 book Alice's Adventures in Wonderland and its 1871 sequel Through the Looking-Glass .
"White Rabbit" was written by Slick while she was still with The Great Society. The first album she recorded with Jefferson Airplane was Surrealistic Pillow, [52] its 1967 breakout album. [53] Slick provided two songs from her previous group: her own "White Rabbit" and "Somebody to Love", written by her brother-in-law Darby Slick. Both songs ...
[30] Similarly, the magazine said of "White Rabbit" that it was a "change-of-pace number" with "intriguing lyric content and driving beat in strong support." [31] Cash Box wrote of the album that "the LP could easily go all the way to the top of the chart" and "should be especially popular with the teen set."
Soon after, Slick composed the psychedelic piece "White Rabbit". [8] The song, which she is purported to have written in an hour, [11] is a reflection on the hallucinogenic effects of psychedelic drugs; when performed live, it featured a speedier tempo and was an instant favorite among the band's followers. [12]
"White Rabbit" was described at Billboard [3] as "a dynamic pop-packed jazz LP with two extraordinary works "California Dreaming" and "White Rabbit"".For this project Creed Taylor and Don Sebesky used the formula that gave them good results in other recordings with Verve Records and A&M Records: two successful rock/pop songs covers from The Mamas and the Papas and Jefferson Airplane, music ...
The Airplane recorded "Someone to Love" (retitled as "Somebody to Love") and Grace's own "White Rabbit" for Surrealistic Pillow. [4] Both songs were released as singles in 1967, reaching No. 5 and No. 8 on the Billboard Hot 100 respectively. [7]
He wrote "White Christmas" for a musical that eventually morphed into the movie Holiday Inn and ended up winning an Academy Award for the song. In 1954, it was the title track of another Bing ...
Many of the songs on the soundtrack were suggested to Tarantino by musician Boyd Rice through their mutual friend Allison Anders, including Dick Dale's "Misirlou". Other songs were suggested to Tarantino by his friends Chuck Kelley and Laura Lovelace, who were credited as music consultants. Lovelace also appeared in the film as Laura the waitress.