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An average handcrafted nutcracker doll is made out of about 60 separate pieces. [2] Nutcracker dolls traditionally resemble toy soldiers, and are often painted in bright colors. [1] Different designs proliferated early; by the early 19th century there were ones dressed as miners, policemen, royalty or soldiers from different armies. [2]
The tale of a little girl being gifted a nutcracker for Christmas (who then comes to life and defends her honor from a giant mouse no less!) reinforced the enduring link between the toy soldier ...
The Nutcracker (Russian: Щелкунчик [a], romanized: Shchelkunchik, pronounced [ɕːɪɫˈkunʲt͡ɕɪk] ⓘ), Op. 71, is an 1892 two-act classical ballet (conceived as a ballet-féerie; Russian: балет-феерия, romanized: balet-feyeriya) by Pyotr Ilyich Tchaikovsky, set on Christmas Eve at the foot of a Christmas tree in a child's imagination featuring a Nutcracker doll.
Using a nutcracker. A nutcracker is a tool designed to open nuts by cracking their shells. There are many designs, including levers, screws, and ratchets. The lever version is also used for cracking lobster and crab shells. A decorative version, a nutcracker doll, portrays a person whose mouth forms the jaws of the nutcracker.
In 1913, Quackenbush invented the spring-jointed nutcracker and a nutpick, designs still in wide use today. [2] Over the years, his company produced over 200 million, and metal nutcrackers seen today stamped with the hallmark "HMQ" or "QBC" were those made by the Quackenbush. The company stopped making air guns in the 1930s, but continued ...
Choreography: Alexander Gorsky (after Petipa) Company: Bolshoi Ballet, Moscow Premiere: 1919 Russian choreographer Alexander Gorsky, who staged a production of The Nutcracker in Moscow in 1919, is credited with the idea of combining Clara and the Sugar Plum Fairy's roles (i.e. giving the Fairy's dances to Clara), eliminating the Sugar Plum Fairy's Cavalier, giving the Cavalier's dances to the ...
For the first time in 25 years, Milwaukee Ballet's "Nutcracker" will look different on stage. Artistic director Michael Pink is adjusting story, too.
The Costume Society distributes grants and awards aimed at students of the history and theory of dress, costume design and production as well as other related fields. The Patterns of Fashion Award honours the work of the dress historian Janet Arnold (1932–1998), a founding member of the society. [ 7 ]