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A different set of 16 simultaneous colors is available using an NTSC TV or composite monitor by using artifact color techniques, with independent groups having demonstrated much larger color sets of over 256 colors See Color Graphics Adapter#High color depth. The CGA RGBI palette is a variant of the 4-bit RGBI schema, arranged internally like ...
The Atari ST series has a digital-to-analog converter of 3-bits, eight levels per RGB channel, featuring a 9-bit RGB palette (512 colors).Depending on the (proprietary) monitor type attached, it displays one of the 320×200, 16-colors and 640×200, 4-colors modes with the color monitor, or the high resolution 640×400 black and white mode with the monochrome monitor.
Different display technologies have vastly different temporal characteristics, leading to perceptual differences of motion, flicker, etc. Sketch of some common display technologies' temporal behaviour. The figure shows a sketch of how different technologies present a single white/grey frame. Time and intensity is not to scale.
The difference between these two modes can only be seen on a composite monitor, where mode 0 disables the color burst, making all text appear in grayscale. Mode 1 enables the color burst, allowing for color. Mode 0 and Mode 1 are functionally identical on RGB monitors and on later adapters that emulate CGA without supporting composite color output.
The second-generation Macintosh, launched in 1987, came with colour (and greyscale) capability as standard, at two levels, depending on monitor size—512×384 (1/4 of the later XGA standard) on a 12" (4:3) colour or greyscale (monochrome) monitor; 640×480 with a larger (13" or 14") high-resolution monitor (superficially similar to VGA, but at ...
60 fps typically, some gaming monitors can do up to 540 fps; internally, display refreshed at up to 540 fps [18] [19] 60 fps typically, some can do 120 fps; internally, display refreshed at e.g. 480 or 600 fps [20] 60 fps typically. Up to 480 fps. [21] Flicker: Perceptible on lower refresh rates (60 fps and below) [22]
Color management is necessary because different devices have different color capabilities and characteristics. For example, a monitor may display colors differently than a printer can reproduce them. Without color management, the same image may appear differently on different devices, leading to inconsistencies and inaccuracies.
Orange artifact color, generated from white and black pixels, on the TRS-80 Color Computer Example of artwork created with the intent of having individual pixel values horizontally averaged over composite video. Composite artifact colors is a technique commonly used to address several graphic modes of some 1970s and 1980s home computers.