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Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz. Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
The song narrates the crucifixion of Jesus Christ, detailing how he was nailed to the cross, "whooped up the hill", speared in the side, and hung his head and died, all the while keeping a dignified silence. Like all traditional music, the lyrics vary from version to version, but maintain the same story.
For Paul, Jesus receives prayer, [282] [283] [284] the presence of Jesus is confessionally invoked by believers, [285] [286] [287] people are baptized in Jesus' name, [288] [289] Jesus is the reference in Christian fellowship for a religious ritual meal (the Lord's Supper; [290] in pagan cults, the reference for ritual meals is always to a ...
The Penitent Thief, also known as the Good Thief, Wise Thief, Grateful Thief, or Thief on the Cross, is one of two unnamed thieves in Luke's account of the crucifixion of Jesus in the New Testament. The Gospel of Luke describes him asking Jesus to "remember him" when Jesus comes into his kingdom.
Ecce Homo, Caravaggio, 1605. Ecce homo (/ ˈ ɛ k s i ˈ h oʊ m oʊ /, Ecclesiastical Latin: [ˈettʃe ˈomo], Classical Latin: [ˈɛkkɛ ˈhɔmoː]; "behold the man") are the Latin words used by Pontius Pilate in the Vulgate translation of the Gospel of John, when he presents a scourged Jesus, bound and crowned with thorns, to a hostile crowd shortly before his crucifixion (John 19:5).
Depictions of the crucifixion of Jesus often show Jesus's head inclined to his right, showing his acceptance of the Good Thief. The impenitent thief is a man described in the New Testament account of the Crucifixion of Jesus. In the Gospel narrative, two bandits are crucified alongside Jesus.
David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
"Glory to His Name" (also called "Down At The Cross") is a hymn written by Elisha A. Hoffman in 1878. It is thought that Hoffman was reading about the crucifixion of Jesus in the Bible and began to think about how God saved men from their sins by allowing Jesus to die on the cross.