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House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.
The Jersey club scene also gave rise to the ball culture scene in Newark hotels and nightclubs. [6] " Queen of House" Crystal Waters and other house luminaries performed on the Newark scene. DJ Kerri Chandler , another Zanzibar DJ, was another pioneer of the "Jersey sound" variety of house music.
Club Zanzibar was a dance club that opened in 1979 at 430 Broad Street in Newark, New Jersey. [1] Its presence in Downtown Newark was noted for its influence on house music and garage house genres and scene. Club Zanzibar, along with other gay and straight clubs in the era, was both a straight and LGBT black and Latino nightlife destination. [2]
The Warehouse was a place that allowed house music to flourish as a continuation of disco under Frankie Knuckles. It continued the tradition of making music for the club, for people to truly feel and to create a holy dance atmosphere and experience over just trying to make something that could get hits on the radio or top 40 charts.
Pages 230-248 of Brewster & Broughton's Last Night a DJ Saved My Life [8] also looked at the rise of the house scene in Chicago. Through showing Frankie Knuckles club, it gave a look at the club scene that was taking place and the energetic, sweaty, drug-fueled parties that house embodied. "House was a feeling, a rebellious musical taste, a way ...
Baltimore club, also called B'more club, B'more house or simply B'more, is a music genre that fuses breakbeat and house.It was created in Baltimore in the early 1990s by Frank Ski, Scottie B, Shawn Caesar, DJ Technics, DJ Class, DJ Patrick, Kenny B, among others.
Progressive house was a departure from the Chicago acid house sound. [8] The buzz word emerged from the rave scene around 1990 to 1992, describing a new sound of house that broke away from its American roots. [7] Progressive house was viewed by some as anti-rave as its popularity rose in English clubs while breakbeat hardcore flourished at ...
It also roots from bounce and Newark's earlier house scene, Jersey club is a staccato, bass-heavy style of dance music featuring breakbeats, rapid tempos around 130–140 bpm, and heavily chopped samples often from hip hop or pop music.