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In 1958, the series was retitled Walt Disney Presents [8] and moved to a Friday-night timeslot; by 1960, ABC had switched it to Sunday nights, where it remained for 21 years. During this iteration, The Peter Tchaikovsky Story , an episode made to promote Walt's latest animated feature, Sleeping Beauty , was one of the first stereo simulcasts on ...
Documentary about Disney animation and its TV legacy 825: Walt Disney World's Very Merry Christmas Parade: December 25, 1994: 826: Encino Man: February 4, 1995: Originally released theatrically by Hollywood Pictures in 1992 827: The Computer Wore Tennis Shoes: February 18, 1995: Remake of the 1969 film of the same title. 828: The Adventures of ...
Grindl was scheduled on Sunday nights at 8:30 p.m. in September 1963, sandwiched between Walt Disney's Wonderful World of Color and Bonanza, both major hits. The series was pitted against the second half of The Ed Sullivan Show on CBS which greatly contributed to its low ratings. It was canceled in spring 1964, after completing a full season of ...
Walt Disney Television: ABC The Mix-ups: 1998: Colossal Pictures: Disney Channel Pet Stop: Walt Disney Television Project Time: Circle Time: 1999: Riverstreet Productions: Playhouse Disney: Imagineer That! 1999 – 2001 2005 – 2007: Walt Disney Television Disney Channels Worldwide: Disney Channel Discover Spot: 2000: King Rollo Films Walt ...
Luke Bryan, Katy Perry, Lionel Richie and Ryan Seacrest are teasing American Idol's upcoming "Disney Night" show with a heartwarming -- and super friendly -- rendition of "You've Got a Friend in Me."
The Disney Sunday Movie [3] March 9, 1986 The Richest Cat in the World: The Disney Sunday Movie [2] April 5, 1986 Return to Treasure Island: Miniseries April 6, 1986 I-Man: April 13, 1986 A Fighting Choice: The Disney Sunday Movie [4] April 20, 1986 Mr. Boogedy: The Disney Sunday Movie: May 11, 1986 Young Again: The Disney Sunday Movie [2] May ...
Image credit: Disney Television Animation. 1. ‘Ducktales’ (1987-1990) Donald Duck and his family were all the rave back in the day, especially his rumbustious nephews.
Few lives can sustain a two-hour documentary, but with "Walt Disney," four doesn't seem nearly enough. Filmmaker Sarah Colt paints a portrait that's far more complex than the avuncular presence ...