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Morris the Midget Moose is a Walt Disney animated short, [1] based on a 1945 picture book published by G.P. Putnam's sons, written and illustrated by Frank Owen, originally released to theaters on November 24, 1950, from Walt Disney Productions, originally released by RKO Radio Pictures and then, Buena Vista Distribution for its re-release.
Bullwinkle J. Moose is a fictional character and one of the two main protagonists of the 1959–1964 animated television series Rocky and His Friends and The Bullwinkle Show, often collectively referred to as Rocky and Bullwinkle, produced by Jay Ward and Bill Scott.
Traditional silhouette animation as invented by Reiniger is subdivision of cutout animation (itself one of the many forms of stop motion).It utilizes figures cut out of paperboard, sometimes reinforced with thin metal sheets, and tied together at their joints with thread or wire (usually substituted by plastic or metal paper fasteners in contemporary productions) which are then moved frame-by ...
Moose The Get Along Gang: The leader of the Get Along Gang. He is very well-rounded and excels in athletics, while tinkering in electronics and science. Moo-tato: Cattle Etotama #2 Eto-Shin Moose A. Moose: Moose Noggin: an animated mascot, for the television station Noggin and later the Nick Jr. Channel voiced by Paul Christie. Nessa Giraffe My ...
Pages in category "Animated films about deer and moose" The following 19 pages are in this category, out of 19 total. This list may not reflect recent changes. A.
Moose Hunters is a 1937 American animated short film produced by Walt Disney Productions and released by United Artists. It was the 93rd short in the Mickey Mouse film series, and the fourth for that year. [ 2 ]
This is a list of animated short films. The list is organized by decade and year, and then alphabetically. The list includes theatrical, television, and direct-to-video films with less than 40 minutes runtime. For a list of films with over 40 minutes of runtime, see List of animated films.
By tracing an object, the filmmaker creates a silhouette (called a matte) that can be used to extract that object from a scene for use on a different background. While blue- and green-screen techniques have made the process of layering subjects in scenes easier, rotoscoping still plays a large role in the production of visual effects imagery.