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In a drumming ensemble, a gankogui player uses no variation. The time span of one bell cycle establishes the temporal period of the music, although some phrases cover several bell cycles . The regulative time point —“the one”—is the instant of maximum, although quite temporary, stasis.
The ethnomusicologist David Locke states: "Cross-rhythm pervades Ewe drumming."[2] In fact, the overall rhythmic structure is generated through cross-rhythm. [3]Cross-rhythm was first identified as the basis of sub-Saharan rhythm in the early writings of A.M. Jones, and was later explained in great detail in lectures by the Ewe master drummer and scholar C.K. Ladzekpo, and in the writings of ...
Adzo-which is less energetic and only the master is made to drum along with Gankogui and Axatse, 4. Hatsatsa- historical songs are performed along with Gankogui and Atoke, 5. Vutsortsor- finally, another round of the main dance which usually last for a number of hours. [4] Gankogui is an instrument in a form of a bell where a stick is used to play.
4 standard pattern) is played on the head of a small Yoruba bata drum in Benin. [31] Pattern 2 is used by the Yoruba and Igbo people of Nigeria. [32] Pattern 3 is the bell part in fufume . [33] Pattern 4 is used by the Ga people (Ghana) for the rhythm gahu. [34] Patterns 3 and 5 are used in the Ghanaian rhythm kpanlogo. [35]
Agbekor (agbekÉ”) is a type of music and a style of dance by the West African peoples of Ewe and Fon.It is an ancient dance once known as Atamga, Ga meaning 'great', Atam meaning 'oath'.
It is known as Ghana’s signature rhythm. Because of the popularity of the rhythm, the tswreshi became widely known as the kpanlogo drum. Kpanlogo are traditionally played by an ensemble of drummers, often in sets of six kpanlogo drums of varied size. Djembe, Dunun, and Gankogui usually accompany the kpanlogo. [1]
Bells are primarily used as percussion instruments in traditional Yoruba music. It is yet another crucial musical instrument in their music, along with the sekere and gangan (talking drum). This bell is used by their cultural groups; in fact, traditional dancers can only move to the sounds made by the bell.
Garamut is a large ceremonial drum in the form of a wooden slit drum that is used in New Guinea's ritual music, to accompany songs and dances at village festivals (pidgin: Sing-sing) and as a news drum. A garamut is considered a sacred instrument, its production in a remote place is carried out according to traditional rules.