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The compilation was released on 25 October 1997, and features all of The Jam's singles (A-side tracks) in chronological order. [ 2 ] This compilation album contains the same nineteen tracks previously released upon the 1991 album Greatest Hits , although The Very Best of The Jam contains two further tracks: "'A' Bomb in Wardour Street" and ...
Sound Affects is the fifth studio album by English rock band the Jam.The album was released on 28 November 1980 by Polydor Records.It is the only Jam album to be co-produced by the band themselves, and contains the only album track co-written by the entire band, "Music for the Last Couple".
Snap! is a greatest hits album by The Jam, released on 14 October 1983, one year after the group disbanded. [6] The double-album includes all sixteen of the band's UK singles, plus some B-sides, album tracks and rarities. Stephen Thomas Erlewine of AllMusic called it "one of the greatest greatest-hits albums of all time". [7]
The Jam at the BBC is a collection of Jam tracks that were performed in session at the BBC. Disc 1 Tracks 1 to 4 recorded for John Peel 26 April 1977; Tracks 5 to 8 recorded for John Peel 19 July 1977; Tracks 9 to 18 recorded in concert at the Paris Theatre, London 1 Jun 1978; Disc 2 Tracks 1 to 4 recorded for John Peel 29 October 1979
A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
The tracks "Once", "Alive", and "Black" were remixed by Brendan O'Brien. Pearl Jam's version of the Victoria Williams song "Crazy Mary" was supposed to appear on disc two, [10] but was replaced with "Man of the Hour" before release. This release marked the end of Pearl Jam's contractual agreement with Epic Records. [11]
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All Mod Cons is the third studio album by the British band the Jam, released in 1978 by Polydor Records. The title, a British idiom one might find in housing advertisements, is short for "all modern conveniences" and is a pun on the band's association with the mod revival. The cover is a visual joke showing the band in a bare room.