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"The Lady of Shalott" (/ ʃ ə ˈ l ɒ t /) is a lyrical ballad by the 19th-century English poet Alfred Tennyson and one of his best-known works. Inspired by the 13th-century Italian short prose text Donna di Scalotta , the poem tells the tragic story of Elaine of Astolat , a young noblewoman stranded in a tower up the river from Camelot .
William Holman Hunt, The Lady of Shalott, c. 1888 –1905, Wadsworth Atheneum Wood engraving by John Thompson, published in 1857, based on Hunt's drawing, 95 × 79 mm. The Lady of Shalott is an oil painting by the English artist William Holman Hunt, made c. 1888 –1905, and depicting a scene from Tennyson's 1833 poem, "The Lady of Shalott".
The Lady of Shalott, an 1888 oil-on-canvas painting, is one of John William Waterhouse's most famous works. It depicts a scene from Tennyson's poem in which the poet describes the plight and the predicament of a young woman, loosely based on the figure of Elaine of Astolat from medieval Arthurian legend, who yearned with an unrequited love for the knight Sir Lancelot, isolated under an ...
The Lady of Shalott. This painting depicts an earlier point in the tale of the Lady of Shalott than those depicted by Waterhouse in his previous two works of 1888 and 1894 ; the Lady is still confined in her tower, weaving a tapestry , viewing the world outside only through the reflection in the large mirror in the background.
Lady Elaine of Astolat (a common mistake misspelling of "Ascolat" [1]) or Elaine the Fair is a maiden daughter of the lord of Astolat (Ascolat, Escalot). She falls in unrequited love with Sir Lancelot, leading to her death of sorrow. In modern times, she is also often known as "The Lady of Shalott" after the eponymous poem.
Elizabeth Eleanor Siddall, named after her mother, was born on 25 July 1829, [5] at the family's home at 7 Charles Street, Hatton Garden, [6] at the time in the parish of Saffron Hill, Hatton Garden, Ely Rents and Ely Place in central London.
She is a lady from the castle of Astolat who dies of her unrequited love for Sir Lancelot. Well-known versions of her story appear in Sir Thomas Malory's 1485 book Le Morte d'Arthur, Alfred, Lord Tennyson's mid-19th-century Idylls of the King, and Tennyson's poem "The Lady of Shalott".
One of Waterhouse's best known subjects is The Lady of Shalott, a study of Elaine of Astolat as depicted in the 1832 poem by Alfred, Lord Tennyson, who dies of a mysterious curse after looking directly at the beautiful Lancelot. He actually painted three different versions of this character, in 1888, 1894, and 1916.