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The Book of Common Prayer allows for an alternative to the Magnificat—the Cantate Domino, Psalm 98—and some Anglican rubrics allow for a wider selection of canticles, but the Magnificat and Nunc dimittis remain the most popular. In Anglican, Lutheran, and Catholic services, the Magnificat is generally followed by the Gloria Patri.
The evangelist, Luke, begins his "orderly account" with the following statement: . 1 Inasmuch as many have taken in hand to set in order a narrative of those things which have been fulfilled among us, 2 just as those who from the beginning were eyewitnesses and ministers of the word delivered them to us, 3 it seemed good to me also, having had perfect understanding of all things from the very ...
The New Revised Standard Version Catholic Edition (NRSV-CE) is an edition of the NRSV for Catholics. It contains all the canonical books of Scripture accepted by the Catholic Church arranged in the traditional Catholic order. Because of the presence of Catholic scholars on the original NRSV translation team, no other changes to the text were ...
Benedictus: Blessed be the Lord God of Israel (Luke 1 68-79) COMMUNION Kyrie: Lord have mercy upon us (response to the Ten Commandments) Creed: [I believe in one God] The Father almighty EVENSONG Magnificat: My soul doth magnify the Lord (Luke 1 46-55) Nunc dimittis: Lord, now lettest thou thy servant depart in peace (Luke 2 29-32)
These common features include the themes, and the order in which they appear. A number of scholars believe that Luke used the song of Hannah for the basis of the Magnificat. [9] Charles Anang and others see Hannah as a "type" of Mary. [10] Both "handmaids" of God bore sons through divine intervention who were uniquely dedicated to God. [11]
At Lauds, the "Canticle of Zachary" (Luke 1:68-79), commonly referred to as the Benedictus. At Vespers, the "Canticle of Mary" (Luke 1:46-55), commonly known as the Magnificat. At Compline, the "Canticle of Simeon" (Luke 2:29-32), commonly referred to as the Nunc dimittis. This usage is also followed by Lutheran churches.
The Magnificat and Nunc dimittis for Gloucester Cathedral, also known as the Gloucester Service, is a setting by the English composer Herbert Howells of the Magnificat and Nunc dimittis for the Anglican service of Evensong. Scored for four-part choir and organ, it was written in 1946 for Gloucester Cathedral. It was published by Novello in 1947.
Troisième Magnificat à 4 voix avec instruments for soloists, chorus, flutes, strings and continuo H 79 (1690); Magnificat for 4 voices and continuo H 80(1690); Magnificat pour le Port-Royal for soloists, chorus and continuo H 81(1690–1700). Jacques Boyvin: c. 1649 1706 Organ Suites for the Magnificat: Johann Pachelbel: 1653 1706