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Ikebana 生け花, 活け花 ... The thing the Japanese most seek in a vase's shape is what will best prolong the life of flowers. For this reason, vases are wide ...
The legend states that a samurai, bored on a hot summer day, threw plant material into the small opening of a tall, deep vase on the opposite corner of the room. Thus this style was named Nageire. [9] This Ikebana form utilizes fresh and spontaneous designs that adhere only loosely to the classical principles of triangular structure and color ...
The origins go back to Buddhist offerings of flowers, which are placed upright in vases. This tatehana ( 立て花 ) style was established in the Muromachi period (1333–1568). The term came to be a popular synonym for ikebana in the 15th century, when rikka became a distinctive element of interior decoration in the reception rooms at the ...
In other words, they wished to arrange flowers (tateru, to place, to give new life, to place in a standing manner), rather than casually placing them in a vase. An earlier attitude of passive appreciation developed into a more deeply considered approach. Early forms of Ikebana referred to as tatehana were arranged.
Ohara Unshin (小原雲心) (1861–1916) started his own Ikebana school in 1895 when Japan opened up its economy to the West and began to import European flowers. The official founding date was in 1912. [1] For the purpose of this art form, he developed shallow, circular, ceramic vases, which became known as the moribana style. [2]
Seika (生花) is a form of ikebana. [2] Written with the same kanji characters, ... It uses one to three kinds of floral materials, arranged in a single vase. [2] [6]