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The roots of the classical philosophy of love go back to Plato's Symposium. [3] Plato's Symposium digs deeper into the idea of love and bringing different interpretations and points of view in order to define love. [4] Plato singles out three main threads of love that have continued to influence the philosophies of love that followed.
The four types of love described in philosophy include agape, phileo, storge, and eros. Agape is a type of unconditional love that is less common in society but more apparent between individuals and their god. Phileo is a love used to describe friendship between individuals. This love is commonly seen between friends in public, especially as ...
The Four Loves is a 1960 book by C. S. Lewis which explores the nature of love from a Christian and philosophical perspective through thought experiments. [1] The book was based on a set of radio talks from 1958 which had been criticised in the U.S. at the time for their frankness about sex.
The Greeks further divided this love into positive and negative: one, the unhealthy version, is the self-obsessed love, and the other is the concept of self-compassion. Aristotle also considers philautia to be the root of a general kind of love for family, friends, the enjoyment of an activity, as well as that between lovers.
Fatuous love can be exemplified by a whirlwind courtship and marriage—it has points of passion and commitment but no intimacy. An example of this is infatuation. [11] Consummate love is the complete form of love. Of the seven varieties of love, consummate love is theorized to be that associated with the "perfect couple".
Books about the philosophy of love (15 P) C. Courtly love (2 C, 20 P) Criticism of marriage (3 C, 7 P) F. Friendship (1 C, 40 P) H. Happiness (4 C, 65 P) I.
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Immanuel Kant's criticism of rationalism is thought to be a source of influence for early Romantic thought. The third volume of the History of Philosophy edited by G. F. Aleksandrov, B. E. Bykhovsky, M. B. Mitin and P. F. Yudin (1943) assesses that "From Kant originates that metaphysical isolation and opposition of the genius of everyday life, on which later the Romantics asserted their ...