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A painting of Jonathan Swift. Swift's essay is widely held to be one of the greatest examples of sustained irony in the history of English literature.Much of its shock value derives from the fact that the first portion of the essay describes the plight of starving beggars in Ireland, so that the reader is unprepared for the surprise of Swift's solution when he states: "A young healthy child ...
Jonathan Swift (30 November 1667 – 19 October 1745) was an Anglo-Irish [1] writer who became Dean of St Patrick's Cathedral, Dublin, [2] hence his common sobriquet, "Dean Swift". His deadpan , ironic writing style, particularly in A Modest Proposal , has led to such satire being subsequently termed "Swiftian".
"The Battle of the Books" is a short satire written by Jonathan Swift and published as part of the prolegomena to his A Tale of a Tub in 1704. It depicts a literal battle between books in the King's Library (housed in St James's Palace at the time of the writing), as ideas and authors struggle for supremacy.
A Tale of a Tub was the first major work written by Jonathan Swift, composed between 1694 and 1697 and published in 1704.The Tale is a prose parody divided into sections of "digression" and a "tale" of three brothers, each representing one of the main branches of western Christianity from the 17th-century English perspective.
Land of the Dead, a satire of post-9/11 America state and of the Bush administration; The Wicker Man, a satire on cults and religion; The Great Dictator, a satire on Adolf Hitler; Monty Python's Life of Brian, a satire on miscommunication, religion and Christianity; The Player, a satire of Hollywood, directed by Robert Altman
Isaac Bickerstaff Esq was a pseudonym used by Jonathan Swift as part of a hoax to predict the death of then-famous Almanac-maker and astrologer John Partridge. "All Fools' Day" (1 April, now known as April Fools' Day) was Swift's favourite holiday, and he often used this day to aim his satirical wit at non-believers in an attempt to "make sin and folly bleed".
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A 2015 review of Les Editions de Londres suggests that the light-hearted Directions to Servants is more of a Horatian than Juvenalian satire. Swift goes beyond simple parody or satire: by providing the servants with advice that verges on the absurd he deconstructs and amusingly reveals the absurdities of the Eighteenth-century English social system.