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The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs; a wordless chorus joins in for the last reprise. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God.
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Its famous Méditation, the entr'acte for violin and orchestra played between the scenes of act 2, is an oft-performed concert music piece; it has been arranged for many different instruments. The role of Thaïs, similar to another Massenet heroine also written for Sibyl Sanderson , Esclarmonde , is notoriously difficult to sing and is reserved ...
Meditation from Thaïs (1894) (often programmed as a standalone piece) John Blackwood McEwen. Scottish Fantasy "Prince Charlie" (1941 orchestration of a 1915 violin and piano work) Fred Momotenko. To the Silence, for string orchestra (2015) Wolfgang Amadeus Mozart. Concertone in C major, for two violins and orchestra, K. 190 (1774)
The Suite of Symphonies for brass, strings & timpani No. 1 (Suite De Symphonies, Première Suite de Symphonies) is a composition by Jean-Joseph Mouret. [1] [2] The first movement of this piece, the rondeau, is widely known and commonly used in weddings, and notably on the PBS program Masterpiece. [3]
Music for Flute, Strings, and Percussion is a piece written by Sofia Gubaidulina in 1994 dedicated to Pierre-Yves Artaud. The instruments are divided into two sections, one of which is tuned a quarter-tone lower than the other. [1] Gubaidulina (2001) describes, "in this way the potential of treating both halves as 'light' and 'shadow' emerges."
Khong khu - pair of small bossed gongs suspended horizontally in a wooden box; used in theater music and music of southern Thailand; Pi - a quadruple-reed oboe type with six finger holes producing at least three octaves of pitches range. Trae phuang - Trae phuang or Krap phung: a percussion used to provide rhythmic punctuation of the Nora ensemble.
Wilstach's Thais is a play performed at the Criterion Theatre in London, March 14 through April, 1911 (31 performances). Written by the American Paul Wilstach (1870-1952), it starred Constance Collier (1878–1955) playing the title role and Tyrone Power, Sr. (1869–1931) as the hermit. Earlier the play had a trial run in Boston.