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The three-act structure is a model used in narrative fiction that divides a story into three parts , often called the Setup, the Confrontation, and the Resolution. It has been described in different ways by Aelius Donatus in the fourth century A.D. and by Syd Field in his 1979 book Screenplay: The Foundations of Screenwriting .
In a simple narrative, the four stages appear in order. That is, the sequence of the telling or presentation follows the chronology of the told. In a more complex story, the order of the telling may vary. For instance, such a story may begin with the Denouement and then present the Situation, Complication, and Resolution in a flashback.
The reversal occurs at the bottom of the U and moves the plot upward to a new stable condition marked by prosperity, success, or happiness. At the top of the U, equilibrium is restored. A classic example of a U-shaped plot in the Bible is the Parable of the Prodigal Son in Luke 15:11–24. The parable opens at the top of the U with a stable ...
One example of the "man against man" conflict is the relationship struggles between the protagonist and the antagonist stepfather in This Boy's Life. [13] Other examples include Dorothy's struggles with the Wicked Witch of the West in The Wonderful Wizard of Oz and Tom Sawyer's confrontation with Injun Joe in The Adventures of Tom Sawyer. [1]
Finally, in the resolution, the hero overcomes his burden against the odds. The key thesis of the book: "However many characters may appear in a story, its real concern is with just one: its hero. It is the one whose fate we identify with, as we see them gradually developing towards that state of self-realization which marks the end of the story.
In drama, particularly the tragedies of classical antiquity, the catastrophe is the final resolution in a poem or narrative plot, which unravels the intrigue and brings the piece to a close. In comedies, this may be a marriage between main characters ; in tragedies, it may be the death of one or more main characters.
More generally, the final result of a work's main plot has been known in English since 1705 as the denouement (UK: / d eɪ ˈ n uː m ɒ̃, d ɪ-/, US: / ˌ d eɪ n uː ˈ m ɒ̃ /; [38]). It comprises events from the end of the falling action to the actual ending scene of the drama or narrative.
A plot summary is not a recap. It should not cover every scene and every moment of a story. Not only should a plot summary avoid a scene-by-scene recap, but there's also no reason that a plot summary has to cover the events of the story in the order in which they appear (though it is often useful).