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Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
Emotional tone of voice, itself paralinguistic information, has been shown to affect the resolution of lexical ambiguity. Some words have homophonous partners; some of these homophones appear to have an implicit emotive quality, for instance, the sad "die" contrasted with the neutral "dye"; uttering the sound /dai/ in a sad tone of voice can ...
The twelve-tone musical scale, upon which a large portion of all music (western popular music in particular) is based, may have its roots in the sound of the human voice during the course of evolution, according to a study published by the New Scientist. Analysis of recorded speech samples found peaks in acoustic energy that mirrored the ...
Tone 1 is used generally for words whose second syllable is the definite article and for words that were monosyllabic in Old Norse. For example, in most Norwegian dialects, the word bønder (farmers) is pronounced with tone 1, while tone 2 is used when pronouncing bønner (beans or prayers).
Emotional prosody or affective prosody is the various paralinguistic aspects of language use that convey emotion. [1] It includes an individual's tone of voice in speech that is conveyed through changes in pitch, loudness, timbre, speech rate, and pauses.
A register consists of the homogeneous tone qualities produced by the same mechanical system, whereas registration is the process of using and combining the registers to achieve artistic singing. For example: a skilled singer moves through their range and dynamics smoothly, so that you are unaware of register changes.
Many tone languages have contour tones, which move from one level to another. For example, Mandarin Chinese has four lexical tones. The high tone is level, without contour; the falling tone is a contour from high pitch to low; the rising tone a contour from mid pitch to high, and, when spoken in isolation, the low tone takes on a dipping ...
An example: "Charlie surveyed the classroom but it was really his mother congratulating himself for snatching the higher test grade, the smug smirk on his face growing brighter and brighter as he confirmed the inferiority of his peers." The tone here is one of arrogance; the quip "inferiority of his peers" shows Charlie's belief in his own prowess.