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An artistic language, or artlang, [1] [2] [3] is a constructed language designed for aesthetic and phonetic pleasure. Constructed languages can be artistic to the extent that artists use it as a source of creativity in art, poetry, calligraphy or as a metaphor to address themes such as cultural diversity and the vulnerability of the individual in a globalizing world. [4]
Verbal context influences the way an expression is understood; hence the norm of not citing people out of context. Since much contemporary linguistics takes texts, discourses, or conversations as the object of analysis, the modern study of verbal context takes place in terms of the analysis of discourse structures and their mutual relationships ...
Languages of Art: An Approach to a Theory of Symbols is a book by the American philosopher Nelson Goodman. It is a work of 20th century aesthetics in the analytic tradition. Originally published in 1968, it was revised in 1976. Goodman continued to refine and update these theories in essay form for the rest of his career.
Art-Language: The Journal of Conceptual Art was published by Art & Language Press, [9] it is regarded as an important influence on both conceptual art and contemporary art. [10] [11] [12] Art & Language Press was founded at the same time as an art practice under the name Art & Language in 1968 by four artists, Michael Baldwin, Terry Atkinson, Harold Hurrell, and David Bainbridge. [13]
A visual language is a system of communication using visual elements. Speech as a means of communication cannot strictly be separated from the whole of human communicative activity which includes the visual [1] and the term 'language' in relation to vision is an extension of its use to describe the perception, comprehension and production of visible signs.
Recontextualisation is a process that extracts text, signs or meaning from its original context (decontextualisation) and reuses it in another context. [1] Since the meaning of texts, signs and content is dependent on its context, recontextualisation implies a change of meaning and redefinition. [1]
This context can be relatively narrow, such as the immediate textual surroundings (referred to as a 'secondary norm' [4]), or wider such as an entire genre (referred to as a 'primary norm' [5]). Foregrounding can occur on all levels of language [ 6 ] ( phonology , graphology , morphology , lexis , syntax , semantics , and pragmatics ).
Also related to productivity is the concept of grammatical patterning, which facilitates the use and comprehension of language. Language is not stagnant, but is constantly changing. New idioms are created all the time and the meaning of signals can vary depending on the context and situation.