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Recently formed London-based Grand Guignol company theater of the Damned, brought their first production to the Camden Fringe in 2010 and produced the award nominated Grand Guignol in November of that year. [20] In 2011, they staged Revenge of the Grand Guignol at the Courtyard theater, London, as part of the London Horror Festival. [21]
Juan Jose G. Levy (Portsmouth, 29 June 1884 - 6 October 1936) was an English theatre practitioner who attempted to import the ghoulish and grisly Grand Guignol aesthetic for London audiences. [1] Levy was born in Portsmouth, England and educated at the Ecole de Commerce, Lausanne. He wrote a number of plays between 1908 and 1925. [2]
André de Lorde. André de Latour, comte de Lorde (1869–1942) was a French playwright, the main author of the Grand Guignol plays from 1901 to 1926. His evening career was as a dramatist of terror; during daytimes he worked as a librarian in the Bibliothèque de l'Arsenal.
Jerusalem becomes the capital of the Kingdom of Judah and, according to the Bible, for the first few decades even of a wider united kingdom of Judah and Israel, under kings belonging to the House of David. c. 1010 BCE: biblical King David attacks and captures Jerusalem. Jerusalem becomes City of David and capital of the United Kingdom of Israel ...
In 1897, Oscar Méténier bought a theatre at the end of the impasse Chaptal (9th arrondissement) to present his own plays. This was the Théâtre du Grand-Guignol, one of the most original theatres in Paris, and he remained its director until 1898.
Max Maurey was a French playwright born in Paris in 1866 and died in Neuilly-sur-Seine in 1947. He was also the theatre manager of the Théâtre des Variétés from 1914 to 1940 and from 1944 to 1947, and director of the Théâtre du Grand Guignol from 1898 to 1914.
Maurice Level (29 August 1875 – 15 April 1926) was a French writer of fiction and drama who specialized in short stories of the macabre which were printed regularly in the columns of Paris newspapers and sometimes staged by le Théâtre du Grand-Guignol, the repertory company in Paris's Pigalle district devoted to melodramatic productions which emphasized blood and gore.
The cartography of Jerusalem prior to modern surveying techniques is focused only on the Old City, shown here.The expansion of the city from the mid-nineteenth century coincided with the production of the first modern map (see the Ordnance Survey map in the list below).