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DADGAD tuning. D A D G A D, or Celtic tuning, is an alternative guitar tuning most associated with Celtic music, though it has also found use in rock, folk, metal and several other genres. Instead of the standard tuning (E 2 A 2 D 3 G 3 B 3 E 4) the six guitar strings are tuned, from low to high, D 2 A 2 D 3 G 3 A 3 D 4.
DADGAD tuning (listen) D-A-d-g-a-d' DADGAD was developed by Davey Graham in the early 1960s when he was travelling in Morocco, to more easily play along with Oud music. Among the first to use this tuning were the folk-blues guitarists of the '60s like Bert Jansch, John Renbourn, Martin Carthy, and John Martyn.
Al Petteway was an American guitarist known primarily for his acoustic fingerstyle work [1] both as a soloist and with well-known folk artists such as Amy White, Tom Paxton, Jethro Burns, Jonathan Edwards, Cheryl Wheeler, Debi Smith, Bonnie Rideout, Maggie Sansone and many others.
The Bach Uke Book - duets for two ukuleles, one in gCEA tuning, the other a baritone in DGBE tuning - arranged and recorded by Rob MacKillop, ukulele, and Gordon Ferries (guitar). Mel Bay Publications MB30024M; Easy DADGAD Celtic Guitar - arranged and recorded by Rob MacKillop. Mel Bay Publications MB30543M
Folk baroque or baroque guitar is a distinctive and influential guitar fingerstyle developed in Britain in the 1960s, which combined elements of American folk, blues, jazz and ragtime with British folk music to produce a new and elaborate form of accompaniment.
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The guitars use DADGAD or Celtic tuning decreased by a semitone, [2] and the chords are in a pattern of D ♭ - B ♭ m7 - G ♭ - E ♭ m - D ♭ on the verses, and G ♭ - D ♭ - B ♭ m7 - A ♭ three times on the chorus. [3]
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