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An elegy is a poem of serious reflection, and in English literature usually a lament for the dead. However, according to The Oxford Handbook of the Elegy, "for all of its pervasiveness ... the 'elegy' remains remarkably ill defined: sometimes used as a catch-all to denominate texts of a somber or pessimistic tone, sometimes as a marker for textual monumentalizing, and sometimes strictly as a ...
First page of Dodsley's illustrated edition of Gray's Elegy with illustration by Richard Bentley. Elegy Written in a Country Churchyard is a poem by Thomas Gray, completed in 1750 and first published in 1751. [1] The poem's origins are unknown, but it was partly inspired by Gray's thoughts following the death of the poet Richard West in 1742.
The pastoral elegy is a poem about both death and idyllic rural life. Often, the pastoral elegy features shepherds. The genre is actually a subgroup of pastoral poetry, as the elegy takes the pastoral elements and relates them to expressing grief at a loss. This form of poetry has several key features, including the invocation of the Muse ...
The elegiac couplet is presumed to be the oldest Greek form of epodic poetry (a form where a later verse is sung in response or comment to a previous one). Scholars, who even in the past did not know who created it, [3] theorize the form was originally used in Ionian dirges, with the name "elegy" derived from the Greek ε, λεγε ε, λεγε—"Woe, cry woe, cry!"
"Lycidas" (/ ˈ l ɪ s ɪ d ə s /) is a poem by John Milton, written in 1637 as a pastoral elegy. It first appeared in a 1638 collection of elegies, Justa Edouardo King Naufrago , dedicated to the memory of Edward King , a friend of Milton at Cambridge who drowned when his ship sank in the Irish Sea off the coast of Wales in August 1637.
Any poem written in elegiac couplets; Elegies by Propertius (ca. 50-15 BC) Elegy, a 1586 poem by Chidiock Tichborne "Elegy Written in a Country Churchyard", a 1751 poem by Thomas Gray; Elegy, the opening poem in Leonard Cohen’s first collection Let Us Compare Mythologies from 1956.
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Rather, the thematic similarity of the poem to The Wife's Lament, also found in the Exeter Book, has caused most modern scholars to place it, along with the Wife's Lament, solidly within the genre of the Frauenlied, or woman's song and, more broadly, in that of the Old English elegy. These two poems are also used as examples of the female voice ...