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Mary Lillian White later Mary Dening (22 January 1930 – 20 May 2020) was an English textile designer known for several iconic textile prints of the 1950s. [1] [2] Her designs were very popular and extensively copied in many 1950s homes, as well as in cabins aboard the RMS Queen Mary and at Heathrow Airport. [3]
Harlequin fabric was popularized in 1944 when Adele Simpson presented the harlequin print in a bold diamond design on the town suits she created. It was also featured in green and white with a green jacket and a black skirt. [2] Also in 1949, Louella Ballerino employed a harlequin print motif in the jester blouse "sun and fun" fashions she made ...
A brand new 'Bri-Nylon' fabric was introduced by the British Nylon Spinners. This fabric was popular fabric to be applied on intimate apparel in the 1950s because it was one of the first easy-to-launder and drip-dry fabric. There was a full corset advertisement in 1959 shows the popularity of 'Bri-Nylon' and the design of the corselet in the 1950s.
This fabric, Fluellin (1950), marked the start of her long relationship with Heal's, which lasted until 1974. [ 3 ] : 29–30 In 1952, Day and her husband moved into a Victorian-era house in London at 49 Cheyne Walk in Chelsea.
Pages in category "1950s prints" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. C. The Crying Boy; R.
Free-form biomorphic shapes also appear as a recurring theme in Atomic Age design. British designers at the Council of Industrial Design (CoID) produced fabrics in the early 1950s that showed "skeletal plant forms, drawn in a delicate, spidery graphic form", reflecting x-ray technology that was becoming more widespread and familiar in pop culture.