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He also released a song "Sampai Akhir" with his wife, Duma Riris Silalahi for his wedding. [19] Judika's fourth studio album Hati & Cinta was released on 20 November 2014. [20] One of the album's song list "Sampai Kau Jadi Milikku" reached high rank in the Indonesian chart song and radio. [21]
Banowati started her career by joined Mata Roda kroncong orchestra as a singer, and was recruited by Fred Young to join Bintang Surabaya troupe as an actress during the Japanese occupation of the Dutch East Indies.
played like a harp (i.e. the notes of the chords are to be played quickly one after another instead of simultaneously); in music for piano, this is sometimes a solution in playing a wide-ranging chord whose notes cannot be played otherwise; arpeggios are frequently used as an accompaniment; see also broken chord articulato Articulate assai
Degrees are useful for indicating the size of intervals and chords and whether an interval is major or minor. In the most general sense, the scale degree is the number given to each step of the scale, usually starting with 1 for tonic. Defining it like this implies that a tonic is specified.
A suspended chord (or sus chord) is a musical chord in which the (major or minor) third is omitted and replaced with a perfect fourth or a major second. [1] The lack of a minor or a major third in the chord creates an open sound , while the dissonance between the fourth and fifth or second and root creates tension.
The following three chords are all C-major triads in root position with different voicings. The first is in close position (the most compact voicing), while the second and third are in open position (that is, with wider spacing). Notice also that the G is doubled at the octave in the third chord; that is, it appears in two different octaves.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
The sibling guitarists Imam Santoso and Sigit Pratama left the band in 2010, leaving the band with no option but to find the replacements. The band held an audition and finally recruited two guitarists, Rio Baskara and Moses Rizky. In August 2011, they entered the studio to begin recording of the second album Himne Perang Akhir Pekan. [9]