Search results
Results From The WOW.Com Content Network
An epilogue or epilog (from Greek ἐπίλογος epílogos, "conclusion" from ἐπί epi, "in addition" and λόγος logos, "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work. [1] It is presented from the perspective of within the story.
A prologue or prolog (from Greek πρόλογος prólogos, from πρό pró, "before" and λόγος lógos, "word") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
There is a widespread scholarly view that the Gospel of John can be broken into four parts: a prologue, (John 1:–1:18), the Book of Signs (1:19 to 12:50), the Book of Glory (or Exaltation) (13:1 to 20:31) and an epilogue (chapter 21).
The narrative of 695-lines includes a prologue and an epilogue. [2] The prologue links the story with the previous Monk's Tale, a series of short accounts of toppled despots, criminals and fallen heroes, which prompts an interruption from the knight. The host upholds the knight's complaint and orders the monk to change his story.
A literary genre that included five elements: prologue, birth and upbringing, acts of the person's life, comparisons used to praise the subject, and an epilogue [citation needed] The basilikos logos (imperial encomium), a formal genre in the Byzantine empire
The Structure of Literature is a 1954 book of literary criticism by Paul Goodman, the published version of his doctoral dissertation in the humanities.The book proposes a mode of formal literary analysis that Goodman calls "inductive formal analysis": Goodman defines a formal structure within an isolated literary work, finds how parts of the work interact with each other to form a whole, and ...
The epilogue is a mere eight lines in which Alsemero explains that it is impossible to comfort people after they have lost a person close to them. The only solution is for that person to be replaced, the implication being that the audience must applaud for this "replacement" to occur.