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Marcel Duchamp Fountain, 1917, photograph by Alfred Stieglitz at 291 art gallery following the 1917 Society of Independent Artists exhibit, with entry tag visible. The backdrop is The Warriors by Marsden Hartley. [1] Fountain is a readymade sculpture by Marcel Duchamp in 1917, consisting of a porcelain urinal signed "R. Mutt".
An antidote to what Duchamp called "retinal art", In Advance of the Broken Arm was the second of a series of sculptures that he named "ready-mades", the most famous of which is his 1917 Fountain. At the time, the term "ready-made" referred to manufactured goods as opposed to handmade goods, but Duchamp used the term to describe "an ordinary ...
The Fountain Archive (also called The Fountain Archives or Fountain Archive Project) is a processual art project of the French conceptual artist Saâdane Afif which started in 2008/ 2009. The project includes an ongoing series of framed pages which contain one or several reproductions of the work Fountain by Marcel Duchamp .
Marcel Duchamp, Fountain, 1917; photograph by Alfred Stieglitz. A found object (a calque from the French objet trouvé), or found art, [1] [2] [3] is art created from undisguised, but often modified, items or products that are not normally considered materials from which art is made, often because they already have a non-art function. [4]
Henri-Robert-Marcel Duchamp (UK: / ˈ dj uː ʃ ɒ̃ /, US: / dj uː ˈ ʃ ɒ̃, dj uː ˈ ʃ ɑː m p /; [1] French: [maʁsɛl dyʃɑ̃]; 28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, and conceptual art.
The board of the 1917 Society of Independent Artists exhibit, of which Duchamp was a director, after much debate about whether Fountain was or was not art, hid the piece from view during the show. [10] Duchamp quickly quit the society, and the publication of Blind Man, which followed the exhibition was devoted to the controversy. While still ...
The work consists of a brown leather carrying case [4] (the prospectus describes it as a "leather pull-out box"), 40 x 37.5 x 8.2 cm, containing 69 reproductions of the major works by Duchamp, including many photographs, lithographs and miniature replicas of ready-mades like Fountain, and reduced-sizes models on Rhodoïd (cellulose acetate ...
The Bottle Rack also had an inscription scribbled on its side, much like the infamous R. Mutt of Duchamp's Fountain (1917) piece, though the actual words remain a mystery as Duchamp had forgotten the inscription by the time it had been thrown out. [2]