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The main light source is not evident in the painting but comes from the upper left; the lesser light source is the lantern held by the man at the right (believed to be a self-portrait of Caravaggio; also, presumably, representing St Peter, who would first betray Jesus by denying him, and then go on to bring the light of Christ to the world). At ...
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Judas was both a disciple of Jesus and one of the original twelve Apostles. Most Apostles originated from Galilee but Judas came from Judea. [5] The gospels of Matthew (26:47–50) and Mark (14:43–45) both use the Greek verb καταφιλέω, kataphiléō, which means to "kiss, caress; distinct from φιλεῖν, philein; especially of an amorous kiss."
The Kiss of Judas by Giotto di Bondone (between 1304 and 1306) depicts Judas's identifying kiss in the Garden of Gethsemane. Judas Iscariot (/ ˈ dʒ uː d ə s ɪ ˈ s k æ r i ə t /; Biblical Greek: Ἰούδας Ἰσκαριώτης, romanized: Ioúdas Iskariṓtēs; died c. 30 – c. 33 AD) was, according to Christianity's four canonical gospels, one of the original Twelve Apostles of ...
The last episode, far less commonly shown, is the Farewell Discourse, the farewell of Jesus to his disciples. By this point Judas Iscariot is no longer present, having left the supper; it is mostly found in Italian trecento painting. The depictions here are generally melancholy, as Jesus prepares his disciples for his departure. [1]
Paintings of Judas Iscariot (1 C, 9 P) Pages in category "Cultural depictions of Judas Iscariot" ... Jesus: His Life; Judas (2001 film) Judas (2004 film)
Pages in category "Paintings of Judas Iscariot" The following 9 pages are in this category, out of 9 total. This list may not reflect recent changes. A.
Viewing the painting from a side angle allows the perspective of the tiled floor and the gaze of the disciples towards Jesus to emphasise his status as the main subject of the painting. On the far left of the painting is Judas Iscariot, clothed in bright red and noticeably isolated from the other figures of the painting. In the middle of the ...