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John Lee Hooker (August 22, 1912 [1] or 1917 [4] [5] – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper , he rose to prominence performing an electric guitar-style adaptation of Delta blues that he developed in Detroit .
"Boom Boom" is a song written by American blues singer and guitarist John Lee Hooker and recorded October 26, 1961. Although it became a blues standard, [3] music critic Charles Shaar Murray calls it "the greatest pop song he ever wrote". [4] "Boom Boom" was both an American R&B and pop chart success in 1962 and a UK top-twenty hit in 1992.
John Lee Hooker was an American blues singer and guitarist who recorded from 1948 to 2001. His discography includes recordings issued by various record companies in different formats. His discography includes recordings issued by various record companies in different formats.
All songs written by John Lee Hooker except the first track which is an adaptation of "Money (That's What I Want)" by Berry Gordy and Janie Bradford, with additional lyrics by John Lee Hooker. [3] "I Need Some Money" – 2:25 "Come on and See About Me" – 3:06 "I'm Wanderin'" – 5:12 "Democrat Man" – 3:27 "I Want to Talk About You" – 3:02
Mr. Lucky is a 1991 album by American blues singer, songwriter and guitarist John Lee Hooker.Produced by Ry Cooder, Roy Rogers and Carlos Santana under the executive production of Mike Kappus, the album featured musicians including Keith Richards, Blues Hall of Fame inductee Johnny Winter; and three inductees of the Rock and Roll Hall of Fame, Van Morrison, Booker T. Jones and Johnnie Johnson.
Don't Look Back is an album released by blues singer-songwriter John Lee Hooker in 1997 that was co-produced by Van Morrison and Mike Kappus. [3] Van Morrison also performed duets with Hooker on four of the tracks. [4] The album was the Grammy winner in the Best Traditional Blues Album category in 1998.
In a song review for AllMusic, Richie Unterberger described the song as "one of John Lee Hooker's most famous recordings, and certainly one of the best he did in his early career with electric full-band accompaniment". [6] He also noted: "Dimples" proved to be a great favorite among subsequent blues-rock bands as a choice of cover material.
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