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A quatrain is any four-line stanza or poem. There are 15 possible rhyme sequences for a four-line poem; common rhyme schemes for these include AAAA, AABB, ABAB, ABBA, and ABCB. [citation needed] "The Raven" stanza: ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme, as used by Edgar Allan Poe in his poem "The Raven" Rhyme royal: ABABBCC
The rhyme scheme is demanding, being ABABBBBC in the stanza and DDDC in the refrain, with C remaining the same throughout the poem. The meter demands three stresses in the final line of each stanza and of the refrain, but the poet does not succeed in keeping to this pattern in the first and fourth stanzas. There is also much alliteration. [26]
His Gothic poem Bagme Bloma ("Flower of the Trees") uses a trochaic metre, with irregular end-rhymes and irregular alliteration in each line; it was published in the 1936 Songs for the Philologists. [139] He also wrote a variety of alliterative poems in Old English. A version of these appears in "The Notion Club Papers". [140]
In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
Rhyme is always used, sometimes with double rhyme or internal rhymes in addition. In some poems, known as masnavi, the two halves of each couplet rhyme, with a scheme AA BB CC. In lyric poetry, the same rhyme is used throughout the poem at the end of each couplet, but except in the opening couplet, the two halves of each couplet do not rhyme ...
Alliteration is used in the alliterative verse of Old English poems like Beowulf, Middle English poems like Sir Gawain and the Green Knight, Old Norse works like the Poetic Edda, and in Old High German, Old Saxon, and Old Irish. [3] It was also used as an ornament to suggest connections between ideas in classical Latin, Greek, and Sanskrit poetry.
The poem employs alliteration, anaphora, simile, satire, and internal rhyme but no regular end rhyme scheme. However, lines 1 and 2 and lines 6 and 8 end with masculine rhymes. Dickinson incorporates the pronouns you, we, us, your into the poem, and in doing so, draws the reader into the piece. The poem suggests anonymity is preferable to fame.
The end rhymes add to the lyrical sense of the poem and the soothing, soaring nature of the eagle. This poem is one of Lord Tennyson's shortest pieces of literature. It is composed of two stanzas, three lines each. Contrary to the length, the poem is full of deeper meaning and figurative language. Often literary scholars believe the poem is ...