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An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", [1] though some set trends, attract critical attention, become historically important, and even gain a cult following. [2]
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
In 2004, Legend Films restored and colorized a print of the film, [19] featuring intentionally unrealistic color schemes that add to the film's campy humor. The smoke from the "marihuana" was made to appear green, blue, orange and purple, each person's colored smoke representing their mood and the different "levels of 'addiction ' ".
Color Me Blood Red; Combat Shock; Common Law Cabin; Common Law Wife (film) Corona Zombies; Cover Girl Models; The Crazies (1973 film) Creature with the Atom Brain (film) The Creeping Terror; Criminally Insane (film) Criminally Insane 2; Critters (film) Cross Bearer; The Curse of El Charro; Cyborg Cop; Cyborg Soldier; Cycle Psycho; The Cycle Savages
Color (beta) Automatic. Light. Dark. This page is always in light mode. ... Pages in category "Exploitation films" The following 31 pages are in this category, out of ...
The color is said to have first surfaced in art during the Neolithic era, writes Hannah Foskett at the site Arts & Collections. The pre-Raphaelites in Britain especially loved purple. The pre ...
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...
An upsurge in commercial and industrial films made in color improved the company's balance sheet, and in 1942 home-movie distributor Castle Films expanded the Cinecolor line to the 16mm and 8mm film formats, reprinting the Ub Iwerks ComiColor cartoons until 1951. [12] Cinecolor emerged from bankruptcy in October 1944, with all creditors paid in ...