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The New York Times referred to the store as "a version of Elizabeth Street for the Carnegie Hill crowd, a little oasis of downtown aesthetic at Ladies Who Lunch prices," and said that "the celebrity boutique is a way for famous people to admit the civilian into their universe; it is a presentation of themselves, their likes and desires, their ...
Wall Street is a platinum palladium print photograph by the American photographer Paul Strand taken in 1915. There are currently only two vintage prints of this photograph with one at the Whitney Museum of American Art (printed posthumously) and the other, along with negatives, at the Philadelphia Museum of Art.
The skyscraper, which has shaped Manhattan's distinctive skyline, has been closely associated with New York City's identity since the end of the 19th century.From 1890 to 1973, the title of world's tallest building resided continually in Manhattan (with a gap between 1894 and 1908, when the title was held by Philadelphia City Hall), with eight different buildings holding the title. [15]
The New York school of photography is identified by Jane Livingston as "a loosely defined group of photographers who lived and worked in New York City during the 1930s, 1940s and 1950s" and who, although disinclined to commit themselves to any group or belief, "shared a number of influences, aesthetic assumptions, subjects, and stylistic earmarks".
The amount of office space in New York City increased by 92% in the late 1920s. [5]: 49–50 Zoning regulations had major impacts on the design of buildings. The proliferation of ever-larger skyscrapers like the 40-story Equitable Building spurred New York City's passage of the US's first citywide zoning code, the 1916 Zoning Resolution. [6]
The New York City Landmarks Preservation Commission, in its 1973 report on the SoHo-Cast Iron Historic District, says the building, at 495 Broadway, was designed by Alfred Zucker for Augustus D. Juilliard and was completed in 1893.
The Department of Cultural Affairs (DCLA), a branch of the government of New York City, is the largest public funder of the arts in the United States.DCLA's funding budget is larger than that of the National Endowment for the Arts, the federal government's national arts funding mechanism. [16]
New stations on the Second Avenue Subway have porcelain tiles and built-in artwork. [10] The walls adjacent to the tracks at the new 34th Street station have white tiles arranged in sets of three columns of 3 tiles each. There are two-tile-high gray squares containing white "34"s in the middle of each set of columns.