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Metropolitan Museum of Art, New York, United States: Oil and gold on panel 169,5 x 168,9 c. 1504 The Agony in the Garden [Wikidata] Metropolitan Museum of Art, New York, United States: Oil on panel 24,1 x 28,9 Lamentation over the Dead Christ (Raphael) [Wikidata] Isabella Stewart Gardner Museum, Boston, United States: Oil on panel 23,5 x 28,8 c ...
Another of Leonardo's compositional inventions, the pyramidal Holy Family, was repeated in a series of works that remain among his most famous easel paintings. There is a drawing by Raphael in the Royal Collection of Leonardo's lost Leda and the Swan, from which he adapted the contrapposto pose of his own Saint Catherine of Alexandria. [30]
The Liberation of Saint Peter is a fresco painting by the Italian High Renaissance artist Raphael. [1] It was painted in 1514 as part of Raphael's commission to decorate with frescoes the rooms now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
Paintings by Raphael (1483−1520) — the renowned Italian Renaissance painter. Subcategories. This category has the following 5 subcategories, out of 5 total. ...
The painting is notable for its use of accurate perspective projection, a defining characteristic of Renaissance art, which Raphael learned from Leonardo; likewise, the themes of the painting, such as the rebirth of Ancient Greek philosophy and culture in Europe were inspired by Leonardo's individual pursuits in theatre, engineering, optics ...
The fresco was part of Raphael's commission to decorate the private apartments of Pope Julius II. These rooms are now known as the Stanze di Raffaello . After completing his three monumental frescoes Disputation of the Holy Sacrament , The Parnassus , and The School of Athens in the Stanza della Segnatura, in 1511 Raphael painted the Cardinal ...
The subject matter and size of the painting, little larger than a Book of Hours, might suggest that it may have been intended as a portable aid to prayer.Although Raphael almost exclusively worked for one Ducal family in these years the identity of its original patron is currently officially supposed unknown, although a probably forged inventory from the 1850s suggests that it was commissioned ...
The Prophet Isaiah is a fresco located in Basilica di Sant'Agostino, an early Renaissance church in Rome. It is an Italian Renaissance painting, influenced by Michelangelo's work on the Sistine Chapel ceiling. Isaiah, a powerful figure, gives the illusion of a three-dimensional character, flanked by putti figures.