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Sarah Baartman (Afrikaans: [ˈsɑːra ˈbɑːrtman]; c. 1789 – 29 December 1815), also spelled Sara, sometimes in the diminutive form Saartje (Afrikaans pronunciation:), or Saartjie, and Bartman, Bartmann, was a Khoekhoe woman who was exhibited as a freak show attraction in 19th-century Europe under the name Hottentot Venus, a name that was later attributed to at least one other woman ...
The film concerns a woman named Sarah Baartman during colonial times. Set between 1810 and 1815, the documentary relates the true story of a 20-year-old woman travelling to London from Cape Town. A member of the Khoekhoe people, the woman was exhibited as a freak across England and became known as the Hottentot Venus. An abolitionist group ...
Sarah Baartman was a Khoikhoi woman from Cape Town, South Africa, in the early 1800s. She was taken to Europe and advertised as a sexual "freak" for entertainment. She was known as the "Hottentot Venus." She died in 1815 and was dissected.
ESQUIRE: The book opens with the story of Sarah Baartman. You write, "The story of Sarah Baartman is important not only as a troubling tale of a large-butted woman who was mistreated in the early ...
Sarah Baartman was an international sensation of objectification. British LibraryIn “BLACK EFFECT,” a track from Beyoncé and Jay-Z’s 2018 collaborative album “EVERYTHING IS LOVE ...
Venus is a 1996 play written by American playwright Suzan-Lori Parks about the life of Khoekhoe woman Sarah Baartman.Set during the 19th century, the play opens in South Africa where Baartman was born, before transitioning to Europe as Baartman begins to perform in freak shows in London.
Heather Radke, the author of Butts: A Backstory, explains our cultural obsession with women's rear ends. Turns out, it's all about racism, control, and desire.
Sarah Baartman was a Khoikhoi woman exhibited in 19th-century Europe under the name Hottentot Venus. She was displayed in Cape Town by the man whose household she worked for, and eventually toured Europe and became a popular attraction. It is unknown to what extent she consented to be exhibited and how much of the profits she received.